Tracking Submitted Articles

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LIKELY ARTICLES FOR ISSUE ONE

AuthorArticleFirst Referee-~~Second Referee~~#FFFFFF:-~~Category~~#FFFFFF:-Word Count
temporarily hiddenWriting in Fine Arts & Design Education in ContextLisa GeorgeMark EvansJ7764
Harriet Edwards~~~~green:Design Research by Practice:Modes of Writing in a recent PhD from the RCA~~~~green:Joan Turner~~~~green:Erik BorgA3474
Lewis Elton~~~~green:Complexity, Universities and the Arts~~~~green:Martin Woolley~~~~green:Erik BorgJ1774
Mark Evans~~Another Kind of Writing: Reflective Practice and Creative Journals in the Performing Arts~~green:Batel Dinur~~~~green:Guy JulierA+C3761
Jane Graves~~~~green:Conversations heard and unheard: creativity in the studio and in writing~~~~green:Martin Woolley~~~~green:Denis O'BrienE2840
Janet Hand~~~~green:Art Writing~~~~green:Jo Walter~~~~green:Linda DrewF + C3000?
Hannah Jones~~~~green:Bisociation within Keyword-Mapping; An Aid to Writing Purposefully in Design~~~~green:Cameron Tonkinwise~~~~green:Guy JulierF2985
Maziar+Theo~~~~green:Walking with Wolves;Dis-Playing The Holding Pattern~~~~green:Cameron Toninkwise~~~~green:Joan TurnerF7321
temporarily hiddenintroduction to possible forthcoming Flusser article (issue 2?)-~~~~#FFFFFF:-H3k
Chris Speed~~~~green:The Internet Vindicated? Writing and Social Navigation~~~~green:Lisa George~~~~green:John BackwellG+C2634
Julia & JohnJournal EditorialEditorial AdvisorsEditorial AdvisorsI2500?
-~~Review~~#FFFFFF:-
Harriet EdwardsReview of 'The Internet & Everyone'- John Chris Jones-~~~~#FFFFFF:-B1153
Lisa George~~Review of the June 07 Metadesign conference~~green:Batel Dinur~~~~#FFFFFF:-B1172
-~~~~#FFFFFF:-~~~~#FFFFFF:-~~~~#FFFFFF:-~~~~#FFFFFF:-47921
-~~comments=we need to lose almost 6k words~~#FFFFFF:-~~~~#FFFFFF:-~~~~#FFFFFF:-


Colour Coding
Green text = UNDER REFEREE PROCESS
Orange text = click for REFEREE FEEDBACK


(Tentative) Thematic categories

  • A - Assessment / learning + teaching / good practice / reportage
  • B - Book Reviews / Event reviews / Product reviews
  • C - Creativity and its relation to writing
  • D - Dyslexia / dyspraxia / foreign language / ability-disability empowerment
  • E - Eminent / glamorous thinkers / writers / theories (may be reprints)
  • F - Research / Innovation / Experiments
  • G - Technological / emergent issues relating to writing and practice
  • H - Philosophical issues concerning writing / purpose / practice / reading etc.
  • I - Editorial pontification
  • J - Political / ethical / historical context of education policy

POSSIBLES FOR ISSUE TWO

AuthorArticleLikely EditorWord Count
Heather SymondsThe right to speak: introducing the viva voce as assessment within creative practiceJohn BackwellDenis O'BrienA+D2950
Tony FryRewriting Babel, Opening Design-3815
Vilem FlusserThe Gesture of WritingNancy9588
Theo BarthThreads, Tangles and Tiles (Review Essay on Tim Ingold’s Lines & Curio)Guy Julier4881
Rebekka KillImperialist Legacy or Academic Strategy? Resistance to writing in undergraduate Art EducationSusan3715
Ian ClarkBridging the gap between Theory and Studio PracticeMargo3121
Nancy Roth??
Alke WegenerLocating writing in UK Design Education?4509


Possible Referees

  • Professor Linda Drew Professor of Art & Design (Chelsea College, University of the Arts)
  • Dr Elisa Giaccardi Research Associate at the Center for LifeLong? Learning & Design (University of Colorado, Boulder, USA)
  • Dr Ranulph Glanville Professor of Architecture and Cybernetics at UCL, London and Adjunct Professor at RMIT, Melbourne, Australia
  • George Marks Sen. Lecturer, Faculty of Art & Design (Wolverhampton University, UK)
  • Dr Sally Mitchell Coordinator, Writing in the Disciplines project (Queen Mary, University of London)
  • Prof Mike Press Chair of Design Policy (Duncan of Jordanstone College, The University of Dundee)
  • Dr Cameron Tonkinwise Lecturer (University of Technology, Sydney)
  • Joan Turner Head, English Language Studies Centre (Goldsmiths, University of London)
  • Prof Martin Woolley Professor, Head of Research (Central St Martins, University of the Arts, UK)


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